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‘Echte schrijvers zijn niet te koop. Praktijk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen’.
A grand narrative of Dutch literary authors’ opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author’s independence of their supporters…
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